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"It
intended to look like itself only a fog;
"100m of width, 60m of depth and 25m of height above of the water;
"The effect cloud was gotten through the water use of the filtered
lake expelled as a little thick fog by means of 31500 aspersores of
high-pressure water, in an enormous structure of it consoles, in a tensegridade
system;
"The first building fog was made for the World-wide Exposition
of Osaka, 1970, for the plastic artist Fujiko Nakaya - that it was consulting
aesthetic technique and of the Blur Building;
"Its structure was of a fog on a geodesic cupola;
"A
slope lead the visitors until the interior of the cloud, where they
were encircled with a species of absence of sensations, had to the fog
projectors;
"According to architects, "to enter in the Blur, to I oppose
it to enter a space, it is as to enter in an inhabitable way, without
form, without characteristics, without depth, without scale, without
volume, without surface and dimensions ";
"The Blur is a reaction to the saturation provoked for the half
appearances in recent the national and world-wide expositions that,
each time more, if they transform into lands of combat for tip technologies
and games of I stimulate of the directions. These great expositions
feed our appetite for visual stimulations through increasing digital
virtuosities. In accordance with the culture of the consumption, the
satisfaction if measures in pixels for cm². The high resolution
if transformed into the new ortodoxia. For I oppose it, the Blur is
definitively of low resolution."
"The Economist, 24/08/2002, it published: "Heaven`s Gate"
- to enter in this leaned over sublime building on the landscape of
the Swiss Alps makes to feel us that we are to enter in a poem - is
part of the nature, but it is far of the reality."
Atraves of cadastos previously filled the visitor receives a layer that
correspode its caracteristicas. Inside of the Blur Building to if finding
with other visitors its rain layer she would be red (indicating affinity)
or green (indicating not the affinity).
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